Writing Retreats
Writing needs two things that ordinary life makes difficult to arrange simultaneously: uninterrupted time and a change of setting. A writing retreat provides both. The programmes listed here offer structured weeks or long weekends in places where the only real expectation is that you sit down and write, with experienced guidance available when you want it and the good sense to leave you alone when you do not.
The retreats cover fiction, memoir, poetry, creative nonfiction, and screenwriting. Some are workshop-led, with daily sessions, group critique, and one-on-one manuscript consultations. Others are primarily residencies: a room, a desk, meals provided, and a community of other writers working alongside you. The distinction matters, and each listing makes it clear which model applies.
Locations range from converted farmhouses in rural Ireland and stone cottages on the English coast to hillside retreats in southern Europe and writers' residences in North America and Asia. Most programmes are small, often eight to twelve participants, which keeps the feedback personal and the atmosphere focused rather than performative. Several welcome writers at any stage, from those working on a first draft to those returning to a manuscript that has been sitting in a drawer.
Browse by discipline or destination below, or head to the full search page to filter by location, duration, skill level, and price.
Frequently Asked Questions About Writing Retreats
How much does a writing retreat cost?
A week-long writing retreat including accommodation and meals typically costs between $1,200 and $3,500 per person. Programmes with a well-known author as tutor or facilitator tend to sit at the higher end. Self-directed retreats, where you are given space and time but little or no formal instruction, are often cheaper ($800 to $1,800). Some writing retreats are day programmes or weekend intensives, starting from $200 to $600 for tuition only.
Do I need to be a published writer to attend?
No. Most writing retreats welcome writers at all stages, from people working on their first draft to published authors working on their next book. The skill level and intended audience are stated on each listing. Some programmes are designed specifically for beginners or early-stage writers. Others assume a working manuscript and focus on revision, feedback, and craft development. If you are not sure whether a programme is right for your level, message the host and ask.
Will I have to share my work with the group?
This depends entirely on the programme. Some writing retreats include structured workshops where participants share drafts and give feedback. Others are primarily silent retreats with individual writing time and optional one-to-one sessions with a tutor. Many fall somewhere in between: group discussions about craft, optional sharing sessions, and private feedback from the facilitator. If sharing your work feels daunting, look for retreats that describe themselves as "self-directed" or "silent" or that make sharing explicitly optional. Ask the host if the listing does not make this clear.
What does a typical day on a writing retreat look like?
Most writing retreats follow a rhythm of morning writing time (often three to four hours of uninterrupted work), a communal lunch, afternoon sessions (workshops, craft talks, one-to-one feedback, or more writing time), and relaxed evenings. Some programmes are highly structured with daily prompts, exercises, and group workshops. Others provide the time, the space, and a daily meal, and leave the writing entirely to you. The balance between structure and freedom is one of the most important differences between programmes, and worth asking about before booking.
Do writing retreats focus on a specific genre?
Some do, some do not. You will find retreats focused on fiction, memoir, poetry, screenwriting, travel writing, and creative non-fiction. Others are genre-agnostic and welcome writers working on anything. Genre-specific programmes can be more useful if you want feedback from a tutor who specialises in your form. General programmes are better if you want dedicated writing time without genre-specific instruction. Each listing states the focus clearly.
What should I bring?
Your laptop or notebook, any notes or drafts you are working on, and comfortable clothes. Writing retreats have the simplest packing requirements of any creative retreat. Some programmes provide notebooks, pens, and printed materials. The main thing to bring is a project, even if it is just an idea. Arriving with a sense of what you want to work on, however rough, will help you make the most of the time.